Why I Struggle with Current Fashion Storytelling
I’ve been asking myself why current fashion storytelling feels off to me.
I think it’s because it doesn’t feel grounded anymore.
Fashion used to feel like a reflection of society. It mirrored what was happening culturally, politically, emotionally. It carried references from the past and made them relevant again. It told stories about identity, rebellion, class, gender, youth. Even when it was fantasy, it felt anchored in something real.
Now it often feels detached.
But maybe it’s not detached at all. Maybe it’s actually too attached. Maybe it is reflecting exactly where we are: fragmented, overstimulated, constantly consuming, constantly performing. If society feels disoriented, then fashion mirroring that disorientation would make sense.
Maybe what feels like detachment is actually hyper-attachment to our digital reality.
There is also too much noise.
Social media has turned fashion into constant output. Constant commentary. Constant visibility. Every show becomes content within seconds. Every campaign is dissected before it can even breathe. Instead of narrative, we get fragments.
And the focus feels different.
It feels product-led rather than idea-led. Asset-driven rather than concept-driven. Each production looks like it answers a demand, a market gap, a trend forecast. I understand why. Fashion is a business. It always has been.
But I miss when creative direction felt risky. When a collection felt like it came from someone’s mind, not from a strategy deck.
We still see glimpses of that depth. And when we do, it becomes headline news. Everyone talks about it. That reaction alone proves that people are hungry for something with emotional weight.
The fast consumption era has changed the pace of creativity. It has democratized fashion in incredible ways. It has opened doors that were once closed. But it has also created pressure to constantly produce and constantly consume.
When the brain is exposed to everything, all the time, originality becomes harder. Not impossible, but harder.
So maybe the issue is not that fashion is lying.
Maybe it’s that it reflects our fragmentation so accurately that it feels confusing instead of cohesive.
And sometimes, when everything is visible, nothing feels intimate anymore.